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Best Seller!MOTU 828MK3 HYBRID FIREWIRE AUDIO INTERFACE

MOTU 828MK3 HYBRID FIREWIRE AUDIO INTERFACE

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Hybrid FireWire / USB2 connectivity
As a hybrid audio interface, the 828mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU audio interfaces or the 8pre microphone input expander.

Tons of I/O
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

On-board digital mixer with effects for monitoring and live mixing
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer - with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3's signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

Advanced audio analysis tools
Analyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.
Stand-alone operation as a mixer

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
Across-the-board compatibility

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

FireWire Ports
MOTU FireWire audio interfaces can connect to any Firewire port. Just plug in and go, with any standard cable. The 828mk3 Hybrid provides two FireWire Type B ports, which provide the most reliable FireWire connection available. The ports operate at 400 Mbit/s, and they can be connected to any available FireWire port on your computer, either Type A or Type B. If your computer has FireWire Type B ports, use the included 9-pin-to-9-pin FireWire cable. If your computer has either standard Type A ports or miniature Type A ports, use the appropriate 9-pin-to-6-pin or 9-pin-to-4-pin FireWire cable (sold separately).

Feature summary:

  • Hybrid FireWire/USB2 connectivity - connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX - flexible 28 input/16 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 28 inputs / 30 outputs (at 44.1/48 kHz) - there's no channel sharing in the 828mk3; the microphone inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Front-panel control - access any setting in your entire 828mk3 mix directly from the front panel.
  • Stand-alone operation - program your mixes at the studio and then bring the 828mk3 to your music gig - no computer needed. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes - for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear - with no latency.
  • Two front panel combo jacks provide hi-Z 1/4" guitar input or low-Z XLR microphone input with phantom power, pad and plenty of gain.
  • Mic/guitar instrument sends - add your favorite outboard EQ, preamp, reverb or other processor to the two mic/guitar inputs, before the signal goes digital.
  • Clip protection - Mic/guitar input limiter prevents digital clipping and distortion from overloaded signal levels up to +12 dB over zero.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim - Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Flexible optical I/O - 16 channels of ADAT lightpipe, 8 channels of SMUX (96 kHz) or two pairs of stereo TOSLink. Mix and match formats between the two banks.
  • Sample-accurate MIDI - connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable - add additional interfaces for more I/O as your needs grow.
  • Separate XLR main outs and front-panel headphone jacks, each with independent volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out
  • Word clock in and out
  • SMPTE in and out
  • Includes 32- and 64-bit native drivers for Mac OS X and Windows 7/Vista/XP, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Macintosh with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or high-speed USB 2.0.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Two front panel headphone jacks with independent volume controls.
  • Front panel meters or activity LEDs for all analog, digital and MIDI I/O, plus SMPTE sync tach and lock LEDs.
  • Dedicated front panel clock status LEDs.
  • International 100-240V, 50-60 Hz autoswitching power supply.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 19 x 7 x 1.75 inches (48.26 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits standard 19 inch (48.26 cm) rack at 1U high.

MOTU FireWire audio interfaces can connect to any Firewire port. Just plug in and go, with any standard cable. The 828mk3 Hybrid provides two FireWire Type B ports, which provide the most reliable FireWire connection available. The ports operate at 400 Mbit/s, and they can be connected to any available FireWire port on your computer, either Type A or Type B. If your computer has FireWire Type B ports, use the included 9-pin-to-9-pin FireWire cable. If your computer has either standard Type A ports or miniature Type A ports, use the appropriate 9-pin-to-6-pin or 9-pin-to-4-pin FireWire cable (sold separately).

The 828mk3 is the very first advanced "hybrid" audio interface to offer both FireWire and high-speed USB 2.0 connectivity.

FireWire has long been recognized as a reliable, high-performance connectivity standard for professional audio interfaces like the 828mk3. Meanwhile, high-speed USB 2.0 has also developed into a widely adopted standard for connecting peripheral devices to personal computers.

To fully support both formats, the 828mk3 hybrid audio interface is equipped with FireWire jacks and a high-speed USB 2.0 (480 Mbit/sec) connector, and you can use either port to connect the 828mk3 to your computer. This gives you maximum flexibility and compatibility with today's ever-expanding universe of Mac and Windows computers.

If your computer does not have a FireWire port, then obviously you will need to connect the 828mk3 to one of its high-speed USB 2.0 ports.

If your computer has both FireWire and USB2, then it is your choice, and your decision will depend mostly on other peripherals you may also have.

Mic/guitar inputs

Two convenient front panel mic/guitar inputs are equipped with high quality preamps, plus overload protection and all the features you need to record any microphone or guitar with excellent audio fidelity.

Each input is equipped with its own 48V phantom power switch and 20 dB pad switch. Both inputs also include a switch that toggles between the low-impedance XLR microphone input and the true high-impedance quarter-inch guitar input jack.

Precision digitally controlled analog trim

The preamps provide 53 dB of gain, which you can adjust in precise 1 dB increments using the detented digital rotary encoder. As you turn the encoder, you see graphic and numeric feedback in the front panel LCD, so you know exactly how much gain you are applying. The gain adjustment itself is smooth because it is analog, but the digital control gives you both precision and the ability to save and recall trim settings. You get the best of both worlds: analog trim with digital precision and control.

Precision digitally controlled analog trim is also available on all of the 828mk3's balanced quarter-inch (TRS) analog inputs on the rear panel. Level matching analog inputs has never been easier or more convenient. You can carefully tune the balance among your analog inputs using the CueMix FX software and then save the entire configuration on disk for instant recall. You can create and save as many trim configurations as you need.

V-Limit hardware limiter

Both mic/guitar inputs are equipped with V-Limit , a hardware limiter that helps prevent digital clipping from overloaded input signals. With V-Limit enabled, signals can go above zero dB (where limiting kicks in) to as high as +12 dB above zero with no distortion due to digital clipping.

Soft Clip

Additional protection can be applied to the mic/guitar inputs by enabling the 828mk3's Soft Clip feature, which engages just before clipping occurs and helps reduce perceptible distortion.

Sends

Each microphone input has a corresponding rear panel send that allows you to insert outboard gear before the signal goes digital. Any input can be used as a return.

The 828mk3 allows you to connect a huge variety of studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and more.

Front panel I/O

In addition to the two mic/guitar preamp inputs on the front panel, the 828mk3 provides two independent headphone jacks with independent volume knobs, one of which also controls the XLR main outs on the rear panel. Alternatively, this "Master Vol" knob can be programmed to control any combination of outputs (analog and/or digital). For example, it can control monitor output for an entire 5.1 or 7.1 surround mix.

Discrete inputs and outputs

The phone jack below the MASTER VOL knob labeled "(MAIN)" is hard-wired to (mirrors) the XLR main outs. In all other cases, inputs and outputs are discrete. For example, using a microphone input does not 'steal" an input from the TRS analog I/O bank. Even the second headphone jack operates as an independent output with its own volume control, although you can program it to mirror any other output pair (such as the XLR main outs).

Digitally controlled analog input trim

All of the 828mk3's analog inputs are equipped with digitally controlled analog trim controls that allow adjustments in precise 1 dB increments. The mic/guitar input trims can be adjusted using front-panel digital rotary encoders that provide feedback in the front panel LCD. All analog inputs, including eight TRS analog inputs, can be trimmed using the CueMix FX control software for Mac and Windows.

This allows you to fine-tune your trim settings for synths, effects modules and a huge variety of analog inputs for optimum levels. Different trim configurations can then be saved as files on disk for instant recall.

Rear panel I/O

Eight balanced (TRS) 24-bit analog inputs and outputs, as well as two XLR main outs and the two preamp inputs, can operate at sample rates up to 192 kHz (a total of ten analog inputs and outputs). Two optical banks provide 16 channels of ADAT optical at 48 kHz, 8 channels of S/MUX optical I/O at 96 kHz or two banks of stereo TOSLink at rates up to 96 kHz. The banks operate independently, allowing you to mix and match any optical formats. RCA S/PDIF connectors also supply independent stereo digital I/O.

Each microphone input has a corresponding rear panel send that allows you to insert outboard gear before the signal goes digital. Any input can be used as a return. (These two dedicated sends are not counted as outputs in the table below.)

Input Output
Analog 24-bit 192-kHz on +4/-10 bal/unbal TRS 8 8
Mic preamps 24-bit 192-kHz on XLR/TRS combo 2 -
Main outputs 24-bit 192kHz on bal XLR - stereo
Headphone output* - stereo
ADAT optical (digital)† 16 16
S/PDIF 24-bit 96-kHz (digital) stereo stereo
Total 28 30

* The phone jack below the MASTER VOL knob is hard-wired to (mirrors) the XLR main outs. The other phone jack operates as an independent stereo pair.

† The two optical banks provide 16 channels of ADAT optical at 48 kHz, 8 channels of S/MUX optical I/O at 96 kHz or two banks of stereo TOSLink at rates up to 96 kHz. The banks operate independently, allowing you to mix and match any optical formats.

Control room monitoring

Powered monitors can be plugged directly into the outputs of the 828mk3 and you can attenuate the output from the software or the front-panel MASTER VOL control. Main out volume is not limited to stereo operation: quad, 5.1, 7.1 and even user-defined configurations are available. You can even program the 828mk3 to control all 30 outputs with the MASTER VOL knob.

The 828mk3 is an audio interface, but it's also a 16-bus digital mixer, complete with EQ, compression and reverb.

The 828mk3 is really two devices in one: an audio interface plus a 28 x 16 digital mixer. In fact, you could even think of the 828mk3 as a digital mixer in a single rack-space form factor.

Operating as either a computer interface or stand-alone, the 828mk3 provides DSP-driven digital mixing with effects processing (reverb, EQ and compression) for all 28 inputs. You can connect all your gear and then mix, process and monitor everything from the 828mk3's main outs or headphone jacks.

A 28 input by 16 bus digital mixer with effects

All I/O is routed to the on-board 16-bus (8 stereo) digital mixer driven by hardware-based DSP with 32-bit floating point precision. The mixer allows you to apply no-latency effects processing to inputs, outputs or busses directly in the 828mk3 hardware, independent of the computer. Effects can be applied when the 828mk3 is operating stand-alone (without a computer) as a complete rack-mounted mixer. Input signals to the computer can be recorded wet, dry, or dry with a wet monitor mix (for musicians during recording, for example).

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